Using Multiple Cameras in Your Screencasts

Note: This post originally appeared on MacScreencasting at http://www.macscreencasting.com/using-multiple-cameras-in-your-screencasts on 8.27.2010. Due to recent hacking activity, I’m consolidating my sites and moving the MacScreencasting posts into SkillCasting. I’ll then be shutting down MacScreencasting.

Earlier this week I did a video over at SkillCasting.com about using video for your job search. It was about creating videos to share your knowledge and to position yourself as an expert while you’re looking for a job. It was part video and part screencast. What’s key is that I used 2 cameras to shoot it and only ScreenFlow to edit it.

When I saw Lynn Elliot’s post over at the ScreenFlow blog, I thought this might make a good tutorial. And if nothing else, perhaps it’ll plant some ideas as we take screencasting to the next level.

[View iPhone version]

I think incorporating two (or more) cameras into a single screencast keeps it interesting. What do you think? Let me know in the comments.

iPhone Video Microphone Update

Note: This post originally appeared at http://www.macscreencasting.com/iphone-4-video-microphone-comparison-update on 8.11.2010. Due to recent WordPress hacks, I’m consolidating my sites and I’ll be moving the MacScreencasting posts over to SkillCasting. Then I’ll shut down MacScreencasting.

Well, in the video I shot the other day, I made 2 mistakes. I wanted to correct them and give you a better opportunity to really hear the difference between the microphones.

Nick from VeriCorder let me know that the “fart” feedback was RF interference. If you place your iPhone in Airplane mode, you won’t have that problem. He also let me know that I’m lucky because the current VeriCorder Mini Mic isn’t compatible with the iPhone 4. Apple changed their electronics on the new device and VeriCorder is having to design a new one. So if you have an iPhone 4 and want the Mini Mic, hold off until their new one gets released.

I also forgot to bring my stereo adapter for my Audio Technica microphones. Both of these mics are mono mics. I couldn’t turn the audio track into stereo in ScreenFlow which I used to edit the video. (Using ScreenFlow to edit video is a future topic so watch for that one.) Back in this video, I have the stereo adapter plugged in so you can better hear the difference between the mics. It’s not fair to compare the Kodak video with a mono audio track to the iPhone 4 in stereo.

Anyway, watch and listen to the new video and let me know your audio preferences.

[View iPhone version]

iPhone Video Microphones

Note: This post originally appeared at http://www.macscreencasting.com/iphone-video-microphone-comparison on 8.9.2010. Due to recent WordPress hacks, I’m consolidating my sites and I’ll be moving the MacScreencasting posts over to SkillCasting. Then I’ll shut down MacScreencasting.

In my previous post about iPhone 4 iMovie exports, a few people have asked about the audio from the iPhone videos. I originally said that I recommend keeping a pocket digital camcorder like the Kodak Zi8 because it has a mic-in jack.

But it made me think. What if I used an external mic on my iPhone. Would the audio significantly improve?

In this video, I compare 2 solutions I have at home. First is the Griffen SmartTalk Headphone Adapter. It’s really designed for conducting phone calls while using your headphones. The second is the VeriCorder Mini-mic which is a directional microphone.

They’re both pretty inexpensive at less than $20 each. So neither will break the bank. In the post, Peter suggested a kV Connection adapter that would allow you to plugin your existing 3.5mm microphones. I don’t have that so I can’t test it.

I also throw in the Kodak Zi8 with the Audio Technica lav mic (but it’s in mono) so you can sort of get a comparison.

As you watch the video, which audio do you prefer? Do you prefer the iPhone by itself, the SmartTalk lapel, or the VeriCorder? Have you discovered in better iPhone audio solutions? Would you use the Kodak Zi8 with mic-in jack over the iPhone? Let me know in the comments. I’d love to hear your opinions.

[View iPhone version]

Can they see your eyes & smile?

Here’s a quick video I did for the Working Writers Club. Remember, when producing your videos, make sure people can see your eyes and your smile. It’s the most important way people connect with you.

 

 

iPhone 4 and Sony Wireless Microphone

You’ve probably seen some of my other posts where I talk about the importance of good audio for your videos. I’m always looking for a better microphone solution. I may have found one.

I’ve recommended wired lav mics like the Audio Technica ATR-3350 [aff] because they improve your audio by getting the mic closer to you when you’re on camera. And having a 20-foot cord means you can get pretty far back from your camera. But that long of cord creates other issues and it’s always getting in the way.

Shotgun mics like the Azden SMX-10 [aff], lets you avoid tripping over the cord. But I find the audio typically isn’t as good if your far away. And if you’re using a small camera, like an iPhone or a Kodak Zi8, there isn’t a way to attach the microphone to the camera because they don’t have a “hot shoe” attachment like regular video cameras. So even these are a bit unwieldy to use when you’re out and about shooting.

In my perfect world, I’d like to find a WIRELESS solution that would let you get a mic on your subject but still be small enough so you can carry it with your iPhone or pocket digital camcorder. Most of the solutions I came across are actually LARGER than the cameras themselves. The receiver and antenna would literally dwarf an iPhone. Oh, and you still have run wires on your subject because they have a transmitter pack and a wired lav mic they have to wear. It was beginning to look like more of hassle to try to take a wireless mic set and pocket digital camcorder out.

That is until I found the Sony ECM-AW3 Bluetooth Wireless Microphone. [aff]

This little unit has 2 small silver capsules. You wear the transmitter (more on this in a second) and then plug the receiver into your 3.5mm jack on your camera. They each operate with a single AAA battery. They’re very small and light weight. And most importantly, I think they sound good enough. Make sure you watch the video above to listen to the quality.

What I’m not crazy about is the fact the transmitter is like a baby Coors beer can in the fact it’s a “silver bullet.” I wish Sony would have made these units black in color so they’d be a little more discreet. In the video, I’m wearing mine inside my shirt and I’ve placed some black electrical tape on it. Tacky I know. I suppose you could take a Sharpie pen to it. That’s definitely more permanent and maybe even tackier. But I digress…

I like the fact that it improves my audio even when I’m pretty far away from the camera. It’s small, light weight, and is compatible with my iPhone (if you use a kVConnection cable), a Kodak Zi8, or my Canon Vixia.

If you’re looking for a way to avoid the wires, you may want to check ‘em out. And if you want to learn more about shooting great pocket digital videos, check out Pocket Video Power [aff] by Jules Watkins. It’s a great video course that’ll help you shoot better pocket videos.

*** Updated 1/11/12 with transcript ***

Hey, everybody. Scott here. You know, one of the things I’m always looking
for is a good audio solution when we’re shooting iPhone 4 video. It’s the
piece that’s really missing in so many videos with the iPhone. What I’m
using for this video is the Sony ECM-AW3 Bluetooth Wireless Microphones,
and I’ve got to tell you, I really do like this solution. It is so small,
so compact, and so portable. So many of the other solutions I was looking
at, the transmitter and the receiver are so big. It’s actually bigger and
it’s a pain to schlep and carry and all that.

Let me show you what’s going on on the iPhone side that I’m talking to
right now. You’re going to see here, this is the Sony transmitter. It’s
very small and it’s powered with one AAA battery. I have it connected to my
iPhone 4 with the KV connection cable. This is a must if you’re going to do
any type of audio. This is the receiver and I am wearing the transmitter on
my shirt. You can see it right there. So that’s the actual set-up I’m
using.

I’ve got to tell you, this is a great portable solution. The one downside
that I see to this is that, “Sony, what are you thinking? Are you out of
touch with what we need again?” That large silver bullet, you can’t hide
it. I actually have mine turned around on my lapel and I’ve put some black
electrical tape over it. I know, kind of tacky, but it least it covers it
up a little bit more.

If you wanted to, another great solution would be to conduct interviews
with this. You can literally hold this in your hand and [inaudible 02:12]
just like that. I’ve got to tell you, I think this is a great solution. I
really do like this. I think it sounds pretty good, it’s completely
wireless and it’s Bluetooth. It operates with a single AAA battery in both
the transmitter and receiver, and the quality is good. You may want to
check this out. I’m pretty pleased with it.

Until next time, I’m Scott. Take care. Bye-bye.

New Final Cut Pro X – Video editing for the rest of us?

I was one of the early adopters for Apple’s new Final Cut Pro X. My friend shared the link with me about Conan O’brian’s bash of it. You can see it below.

I think the jury is still out on FCPX. But this was my response to him. Perhaps it’ll share some guidance for you too.

“FCPX is a major re-write. It’s very different from FCP and FCE. For the hard core users, it’s going to be an about face. I know a lot of them don’t like it. And to be fair, their complaints are valid.

However, for the rest of us, it maybe a different story.

I know lots of people swore by iMovieHD. But once you got familiar with iMovie ’08 and now ’11, it’s really a pretty sweat package (for it’s intended audience.) I suspect FCPX will be the same way. The ability to ingest video and begin working on it right away is sweet. The magnetic timeline is nice too. I was immediately able to work with FCPX because of my familiarity with iMovie. I can also see how it has improved upon iMovie.

I’ve also seen some downsides. There aren’t traditional tracks like we’re used to using to stack video, images and audio on top of our main track. And the rendering of the final video is ridiculous. I’ve tested a 2:40 minute video w/limited effects and it’s taking over 30 minutes.

I’ve done something similar with ScreenFlow and the results take about 7 minutes. And oh yeah, it has multi-tracks so I can bring in (no ingesting required either) several different camera videos, sync them all to the clap, and then switch between each track for different camera angles. This one feature is very important to me as I want to record w/3 different cameras. I have to easily be able to drop them all into a timeline and switch between them.

FCPX won’t do this easily. My $99 ScreenFlow does.

In the meantime, I like FCPX; I’m just not in love with it–yet.”

Video and Social Media

I’m continuing my interview with Jules Watkins, the creator of Pocket Video Power [aff]. In this video, we talk about video and social media.

One of the things Jules and I have both noticed is that video gets lots of playback on social media sites. There is a merging of our personal and professional lives and this allows our customers to get to know us on a deeper level. While this can be scary, I think it can also be great. Jules advises us to take our pocket cameras everywhere so we can capture interviews and moments of our lives. Keep it real and be authentic. And don’t hesitate to think a little different to tell a story. Most of all, have fun with it.

While Jules doesn’t mention this in this interview, here are 3 key factors I’ve noticed for social media videos:

  1. The shorter the better.
  2. Be real and authentic and avoid the need to over-produce.
  3. Keep them engaging by varying shots and showing lots of people.

Jules understand how to produce great videos. I’ve learned a lot from his course and from these discussions. I hope we can do some more. In the meantime, if you’re interested in making your own videos and aren’t sure how or where to start, I fully recommend Pocket Video Power.

Leverage the Pocket Video Advantage

How do you enhance and add creativity to your videos? How can you make your small business videos really stand out? Where do you even begin? Jules Watkins knows.

I’ve had the pleasure of meeting Jules Watkins, the author of Pocket Video Power [aff]. Jules has taken his years of broadcast and reality television experience and created one of the most practical videos courses I’ve seen–and I’ve seen quite a few of them. His course is immediately applicable to small business and solopreneur videos. If you’re looking to create video for your small business, this is your course.

In my interview, Jules shares a great inspirational source for your videos. And if you think your business isn’t exciting or wouldn’t benefit from video (perhaps you’re an accountant or something), Jules shares a great story to make you and your business stand out.

Jules gets small business video. And more importantly, his course shows you exactly how to create your own business videos with practical, pocket digital camcorders like my favorite, the Kodak Zi8. You see, creating good small business videos doesn’t take a huge budget. It takes some inexpensive equipment and software along with the knowledge of how to apply them together.

Throughout the summer, I’ll share some tips from Jule’s course. But in the meantime, get creative and leverage the pocket video advantage by taking a look at Jule’s Pocket Video Power.

Creating Business Videos with an iPhone

Last week I was working with a client and I told her she could make good videos for her business with an iPhone. She said “C’mon Scott, there’s no way.” It’s true though. As proof, this entire video was shot and edited with my iPhone 4.

I intentionally mixed up the shot locations for difficulty, added pictures with narration, and edited this in iMovie on my iPhone.

I used 4 key pieces of equipment:

  1. An iPhone 4 to shoot and edit the video.
  2. An XShot camera extender and case.
  3. The kVConnection cable to allow microphones to plug into the headphone jack of an iPhone.
  4. A TechSmith lavalier microphone with 10-foot cord.

Creating a small business video with your iPhone is easier than you think. In the coming weeks, I’ll do some more videos illustrating how to do all this. In the meantime, what’s holding you back?

Jim Kukral’s Online Video Toolkit Recommendation

My friend Jim Kukral has updated his Online Video Toolkit [aff]. I had a chance to peek at it and he’s got some good stuff in there.

I love Jim’s enthusiasm. It’s contagious.

If you’re looking for easy ways to incorporate video into your business, Jim has some easy ideas that you can implement. I love the ideas for Fiverr, Animoto, and PixelPipe. If you’re looking for a way to get started, you should check it out.